The Arusha Times

Issue 00601

 January 30 - February 5, 2010

issn 0856 - 9135 

A Tribute to Bi Kidude at Kizimkasi

by Mama Charlotte Hill O’Neal

“And the racing ship rocked us gently…gently
Like a mother’s lullaby…
and it rocked us steadily…steadily
Like a watery womb…”

These words from one of my poems kept running through my head as we inched closer to Zanzibar’s beautiful green shrouded shore.  We musicians who form the band, Dunia Truth, had traveled by bus from Arusha Dec. 29th , spent the night in Dar and were finally on the sea bus express just a few minutes away from docking. We were scheduled to honor Fatuma binti Baraka or Bi Kidude as she has come to be known all over the world, the undisputed queen of Taarab and Unyago music and recognized protégé of Siti binti Saad, with a musical tribute on new year’s eve that was a blending of our own special brand of jazz, blues, afro fusion and hip hop.  We were tired from the journey but as soon as we saw the white sand, the palms waving in the sea breeze and the stage that had been set up right on the beach for the 2nd annual Kizimkasi Cultural Festival, we were rejuvenated and ready to rock!

Bi Kidude’s exact date of birth is unknown but it is said that she is at least 100 years old! When you look at her wrinkled, craggy face peering out from the veils of smoke from her cigarette, one can believe that she is that old but when you see her beat her drum and open her nearly toothless mouth to sing in that rough baritone voice, the years drop away and reveal her youthful, energetic, sassy spirit!

Ever since I shook the hand of Bi Kidude a few years ago at the Zanzibar International Film Festival ZIFF, and felt the power of her grip that left my hand momentarily numb I wanted to learn more about this absolutely fascinating musician.  The blending of her unique voice with the strings and harpsichord whine of traditional taarab music gave it a completely different flavor marking it as her own. And even though I still blush when I see the group of women in her dance troupe acting out the blatant sexuality of Unyago on stage, I recognize her bravery and commitment to keeping this ancient ritual alive which uses traditional rhythms to teach young women to pleasure their husbands while lecturing against the dangers of sexual abuse and oppression.

Even though Bi Kidude (who it is said was marked with that name when she was a little tiny baby) has performed in cities around the world and received numerous awards such as the prestigious WOMAX (World Music Award) for her outstanding contribution to music and culture in Zanzibar, she has yet to receive the recognition in her own country for a musician of her international stature.  I look forward to the day when there are stamps and statues and streets with the name Bi Kidude emblazoned on them!

The musicians playing under the banner of Dunia Truth at the Kizimkasi Festival included producer/composer from Mandugu Digital, Ambrose Akula Akwabi; saxophonist Khari Allen Lee; keyboardist John Masangwa; drummer Abdalla ‘Diwee’ Mshakamari; Zemkala’s Yusuf; hip hop legends Jacob ‘JCB’ Makalla of Watengwa and Kalamashaka’s Kamau Ngigi and myself, Mama C.

Dunia Truth can be heard nearly every Saturday at Via Via and at numerous venues around Arusha.


 

 

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Text Box: Bi Kidude